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    You are at:Retrofit Home » Metamorphosis » 2022 Awards » A Former Church Turned Recording Studio Is Expanded to Welcome More Musicians and Preserve Their Legacies
    2022 Awards

    A Former Church Turned Recording Studio Is Expanded to Welcome More Musicians and Preserve Their Legacies

    By Retrofit Magazine EditorNovember 7, 20223 Mins Read
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    2nd Place, Adaptive Reuse

    The Church Studio, built in 1915, started out as the Grace Methodist Episcopal Church.
    It was one of the earliest churches built in Tulsa, Okla. As the years progressed, it changed denominations and remained a place of worship until the early 1970s. That was when the church was purchased by musician Leon Russell and converted into an office and recording studio for Shelter Records.

    • PHOTO: Mel Willis Photography
    • PHOTO: Mel Willis Photography
    • PHOTO: Mel Willis Photography
    • PHOTO: Mel Willis Photography
    • BEFORE PHOTO: Lilly Architects design team
    • BEFORE PHOTO: Lilly Architects design team

    Originally, the church façade was red brick. However, in the mid-1950s, contractors covered
    it with a sculpted stucco-like substance called permastone, leading to the moniker “Leon’s Castle” when Russell owned it.

    The mysterious-looking stone structure was a creative workshop for songwriters, musicians, engineers and singers. Successful and award-winning talent, such as Russell, Tom Petty, J.J. Cale, Jimmy Buffett, Georgie Fame, Eric Clapton, Willie Nelson, Stevie Wonder, Asleep at the Wheel, Michael Bolton, The Gap Band, Kansas, Mary McCreary, Freddie King, Jimmy Markham, Dwight Twilley, Phoebe Snow, Peter Tosh, Jamie Oldaker, Walt Richmond, David Teegarden, Wolfman Jack and many more, hung out or recorded in the studio.

    As ownership of the building changed hands over the years, it continued to attract artists, like The Tractors, Dustin Pittsley, Wink Burcham, Hanson, Roy Clark, Freddy Fender, Carmen, Ronnie Dunn, Red Dirt Rangers, Paul Benjaman, Admiral Twin and Jesse Aycock.

    Today’s owners, Ivan Acosta and Teresa Knox, knew they wanted to renovate the building while inspiring musicians and preserving Russell’s legacy. They decided to renovate the existing 9,000-square-foot facility and add 4,000 square feet to bring the building up to modern standards with a new accessible entry and elevator. The result is a fully restored historic building that serves as a modern-day state-of-the-art recording studio, live music venue, event space and museum. This restoration project has captured the hearts and minds of its community and is also adding momentum to Tulsa’s image nationally and internationally as a vibrant music city.

    “Wonderful juxtaposition of existing and new! The addition is a thoughtful and restrained component that references the exterior materials of the church without trying to be just like it. I particularly appreciate how old meets new in this project.”

    Katie Hunt, architect, LRK, Metamorphosis Awards Judge

    Retrofit Team

    METAMORPHOSIS AWARD WINNER and ARCHITECT: Lilly Architects

    STRUCTURAL ENGINEER: 360 Engineering

    MEP ENGINEER: HP Engineering

    DOOR HARDWARE CONSULTANT: Studio 8

    ACOUSTICAL CONSULTANT: Steven Durr Designs

    Materials

    BROADLOOM CARPET: Mohawk Industries

    GRANITE TILE AND TILE BASE: Daltile

    GRANITE PAVER: Hanover Architectural Products

    VINYL COMPOSITION FLOOR TILE: Armstrong Flooring

    ENGINEERED WOOD: Woodwright

    RUBBER BASE: Roppe

    METAL: Tektrim

    PAINT: Sherwin-Williams

    QUARTZ: Corian and Cambria

    LOUVER BLIND: Graber

    SHADES: SWFContract

    Author

    • Retrofit Magazine Editor
      View all posts
    adaptive reuse church Lilly Architects Metamorphosis Awards recording studio The Church Studio
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    Previous ArticleAn Increasingly Dense Boston Neighborhood Receives a Versatile New Public Courtyard with 21st Century Amenities within 19th Century Buildings
    Next Article An Abandoned School Is Retrofitted as a Canvas for Artists

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